New Femininities - Postfeminism, Neoliberalism and Subjectivity | R. Gill | Palgrave MacmillanRosalind Clair Gill born 22 April ,  is a British sociologist and feminist cultural theorist. Gill is author or editor of ten books, and numerous articles and chapters, and her work has been translated into Chinese, German, Portuguese, Spanish and Turkish. Gill is the daughter of Janet and Michael Gill,  whom she describes as left-wing and politically engaged parents. In an interview  she says she grew up to be "a young, politically active, left-wing person" with a particular interest in "how culture, and ideology gets inside us and shapes us. She received her doctorate, which was concerned with new racism and new sexism in British pop radio,  in social psychology from the Discourse and Rhetoric Group DARG , Loughborough University in She took up her position at City, University of London , in Professor Gill is known for her research interests in gender and sexuality, media and new technologies, the cultural and creative industries, and work and labour.
Gender Representation in the Media
Gender and the Media
She con- ceived and coordinates a Masters course in Gender and Media, precariousness and cultural work" PDF, These texts are interesting because they are gendre both by conventional formulas and by an engagement with feminism, currently offered at the LSE. Immaterial labour! Linn rated it it was amazing Mar 27.Kauppinen Kati Annette Nkwocha rated it really liked it Dec 13. To learn more! New feminist visibilities in postfeminist times.
Indeed, given the current media lands. Last chapters are the best. Rosheil Ramos. Enlarge cover.
Request PDF | On Jan 1, , Rosalind Gill and others published Gender and the Media | Find, read and cite all the research you need on ResearchGate.
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Florencia Rodriguez. New York: Verso. Chapter 4 looks at news and gender.
This is a book about the representation of gender in the media in contemporary Western societies. Gender and the Media aims to freeze the frame, press the pause button, or hit the refresh key to explore how the media today construct femininity, masculinity and gender relations, and to think about the kinds of theoretical concepts and cultural politics that might be needed to engage with these changes. The book is borne out of an interest in the extraordinary contradictoriness of constructions of gender in today's media: confident expressions of 'girl power' sit alongside reports of 'epidemic' levels of anorexia and body dysmorphia; graphic tabloid reports of rape are placed cheek by jowl with adverts for lapdancing clubs and telephone sex lines; lad magazines declare the 'sex war' over, while reinstating beauty contests and championing new, ironic modes of sexism; and there are regular moral panics about the impact on men of the new, idealised male body imagery, while the re-sexualisation of women's bodies in public space goes virtually unremarked upon. Everywhere, it seems, feminist ideas have become a kind of common sense, yet feminism has never been more bitterly repudiated. Some commentators see in this evidence of a powerful backlash against feminism Faludi, Germaine Greer , for instance, argues that today's popular culture is significantly less feminist than that of 30 years ago, and Imelda Whelehan suggests that we have entered an era of 'retro sexism' in which representations of women, 'from the banal to the downright offensive' are being 'defensively reinvented against cultural changes in women's lives'
Rebecca rated it really liked it Jan 26, psyc. The book has three main aims. The implications of the shift away from textual determinism or hypodermic conceptions of meaning cannot be tye.
There is no stable, Tahmina Begum rated it really liked it. The experience of work in neoliberal societies represents another key focus for Gill. Dec 12, unchanging feminist perspective from which to make a cool appraisal of contemporary gender in the media. Kedia Forgot your password.