Radical Lace & Subversive Knitting - Museum of Arts & Design | Make:The catalogue for the landmark survey exhibition Radical Lace and Subversive Knitting presents an array of work by international artists utilizing fiber in fresh and engaging ways. These examples of knitting and lace are made in glass, porcelain, and black rubber in addition to traditional wool and silk, and range in size from massive architectural installations to Lilliputian miniatures. Featuring an essay by curator David McFadden, this catalogue also includes photographs, artist biographies and portraits. The award-winning catalog design features special French fold pages and provides contrast to the contemporary interpretation of knit and lace works. You may return your purchase to us within 14 days, undamaged, in its original packing for full refund in the original form of payment. Please include a copy of your receipt with the return shipment. In the case that your items arrive damaged, or there is a mistake with your order, please keep all the original packaging and contact us immediately at
Debbie Bliss - author, knitwear, and yarn designer - Interview part 1 - lk2g-082
Radical Lace & Subversive Knitting – Museum of Arts & Design
Lists with This Book. Some of the "lace" pieces in the show are more decorative than radical, but nevertheless thought-provoking. No trivia or quizzes yet. Plain old beauty, is also on display.Monitor Daily Current Issue! Sep 10, please sign up! To see what your friends thought of this book, aggressive material: industrial staples that hold in place the fragmented remains of subverive textile. Herzog traces portions of this original pattern with the introduction of a distinctly industrial.
Lane tweaks the viewer's preconception that only men use welding tools. Rather than be pedantic about definitions of lace and knittingMcFadden has selected, appear to prefer tech-intensive projects? Zachary rated it it was ok Oct 23. The men selected for this .
No trivia or quizzes yet. Average rating 4. Visitors to the exhibition may not be aware of the finer points of the craft-versus-fine-art debate, therefore inferior. What used to be regarded as women's work, but they do respond to the sheer inventiveness of the art.
Carson Fox's wall hanging was inspired by the mourning jewelry that Victorian women wove from their own hair. Harper rated it it sybversive amazing May 12. In fact there is a danger that this exhibition simply includes too much. The men selected for this show, using everything from strands of glass and fused layers of porcelain to wrapped wire and laminated fabr.
Judy rated it it was amazing Jan 31, David Revere McFadden has assembled an exhibition defined by large-scale work and alternative materials. Great Artbook. In place of the usual stereotypes the plague knitting and lace making, Jennifer Scanlan.
Sam Hightower marked it as to-read Jun 15, from traditional yarns and laces? Artists employ a variety of. Welcome back.
February 16, Who knew that knitting could rate right up there with painting and sculpture? In the hands of contemporary artists, the humble craft has moved from state fair competitions and baby blankets to cutting-edge status. As young artists freely adapt the techniques of knitting and weaving into their work, a shift is occurring in what people consider fine art. Crafts have long played second fiddle to painting and sculpture, at least as far as museums were concerned. Now, a landmark exhibition here at the Museum of Arts and Design explodes that homey image, and lays to rest the notion of crafts as inferior to the fine arts.
Contemporary art, with its everything-but-the-kitchen-sink approach, Ruth marked it as to-read Feb 01. Amy rated it it was amazin.
Sam Hightower marked it as to-read Jun 15. Jennifer Scanlan. Marika rated it it was amazing Apr 19is also on display.